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Archaeology and Art History Library
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BIASA

The history of BiASA in nine acts
The origins
I
The origins

A library for ministerial officials

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For Italian scholars, and thus for the nation
II
For Italian scholars, and thus for the nation

When World War I began, the library opened its collections to Italian academics that had been ousted by the German Institute of Rome (Istituto Germanico di Roma), considering them to be enemies

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Palazzo Venezia
III
Palazzo Venezia

Assigned to the newly-formed National Institute of Archaeology and Art History, the library was moved to the Renaissance palace of Pope Paul II (Pietro Barbo)

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The arrival of the Rodolfo Lanciani Archive
IV
The arrival of the Rodolfo Lanciani Archive

The library made a qualitative leap forward with the acquisition of the books and materials belonging to the great Roman archaeologist Rodolfo Lanciani

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The war and a return to normalcy
V
The war and a return to normalcy

After the dark years of WWII, the library thrived and its collections continued to grow

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Not only for specialists
VI
Not only for specialists

Once it became a State-run library, BiASA opened its doors to the general public

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The search for more space: the Roman College
VII
The search for more space: the Roman College

With increased acquisitions and a larger user base, the library was in dire need of additional space 

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In-person and online visitors
VIII
In-person and online visitors

The library’s desire to meet users where they are led to cutting-edge projects, including the Digital Italian Periodicals archive

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The future
IX
The future

The new BiASA headquarters will be a building located in the heart of Rome, renovated just for this purpose by starchitect Mario Botta

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